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A Peak LED shall warn of signals within 6dB of clipping. Routing to the mix output shall be in stereo via a Pan control with - 4.5dB centre-drop, along with Mute and SOLO (PFL) functions. Each Aux shall be individually globally switchable to be pre-fade or post-fade sends. Two auxiliary sends shall be provided, with individual level controls.
![mixing live sound mono mixing live sound mono](https://i.ytimg.com/vi/sCayA8pv5JM/maxresdefault.jpg)
The mono input channel shall have the following - an electronically balanced wide range mic and line input on XLR and ½" jack connectors with continuously variable sensitivity between - 60dBu and -5dBu, globally switched 48V phantom power, a 3-band equalizer with shelving HF and LF controls at 12kHz and 60Hz with 15dB of cut or boost and an MF control continuously variable from 140Hz to 3kHz with a Q of 0.77 and cut or boost of 15dB. All jack sockets shall be of a metal construction.
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It shall be possible to have the audio mixer mounted on a desktop or rack-mounted through optional rack mounting ears and shall be of a rugged steel paneled construction. The audio mixing console shall have 8 mono input channels, two stereo input channels and a stereo mix master output. The Soundcraft EPM8 8 Mono + 2 Stereo Channel Recording & Live Sound Audio Console shall be a self-contained unit, complete with input, output and master sections and an integral switched mode power supply capable of operating under various AC voltage inputs from 90VAC to 240V AC.